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Dvorak, Smetana & Rimsky-Korsakov - Oistrakh - Oborin - Knushevitsky
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Dvorak, Smetana & Rimsky-Korsakov - Oistrakh - Oberin - Knushevitsky
Dvorak - Piano Trio in E minor, Op. 90 "Dumky" - Smetana - Piano Trio in G minor, Op. 15 - Rimsky-Korsakov - Piano Trio in C minor - David Oistrakh, Violin / Lev Oborin, Piano / Sviaoslav Knushevitsky, Cello
The 1956 Westmister issue of the Dvorak Op. 90 together with Smetana's G minor Piano Trio from the Oistrakh-Oberin-Knushevitsky ensemble is simply one of the most beautiful recordings I know. Chamber music performance - on discs, at least - hardly gets any better than on this one (and if one hasn't heard it before, it can knock one off one's feet ... in fact, having listened to this LP countless times over the years, it can still pull the floor out from under this listener...). In terms of sound alone, the recording itself possesses a vivid sense of presense and clarity.
The offered recording (1952) of Rimsky-Korsakov's Trio in C minor - in terms of the playing alone - is no less rewarding.
From the notes from this 1976 ABC-Westminster reissue:
"Rimsky referred to the Trio as remaining 'unfinished' (i.e., not polished), but it was performed frequently by his wife, an accomplished pianist, and their two sons. His pupil and son-in-law, M. O. Steinberg, completed the work by using Rimsky's working notes as to modulations, repititions, transpositions and abridgements. This Steinberg finished in 1939 and participated in a performance of it at the home of the composer's son, who played the violin part. The cellist, S. N. Burlakov, added bowing, fingering and expression marks. It was finally published only recently in the Complete Works (1970). The 1939 performance is undoubtedly well-matched by the present recording artists...
Though not a major work in Rimsky-Korsakov's oeuvre, the Trio is typical of the free late nineteenth-century use of classical forms by composers tapping nationally identifiable material. It is gratefully written for the instruments and is a welcome , however belated, addition to the piano trio literature."
No additional equalization has been used with these recordings.
LP transfers of material issued 1956 (Westminster); 1978 - recorded 1952, Melodiya (ABC-Westminster).
Includes original notes, covers, etc.
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